#and i think its just...bias
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kijeu · 9 months ago
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HAN JISUNG ⟡ 221009 sbs inkigayo - case 143
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velvetwyrme · 2 months ago
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I literally adore your cybug au. I'm going through the Worst first part of my year but coming to your blog and seeing these dorky little bugs is literally the cutest. Jazz is obviously my favorite of em so far but that's the jazz bias. I love these bugs so much. Give em lil headsets and kisses
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im really happy to hear the funny lil guys have been helping! i am. also Going Through It atm, so drawing funny little guys is my way of making it through the hard times. may the year get better for the both of us 🥂
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zephyrine-gale · 2 months ago
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ZEPHYRINE IS A EPIC FAAN
SO what are your favorite songs in the sagas of epic???
luck runs out, puppeteer, wouldn't you like, thunder bringer, the challenge, wyfilwma! ramblings will be in the tags ajkdjg
my favorite character is hermes I love his silly horse laugh if i had to draw him rq he'd probably look like this in my style
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dxxtruction · 3 months ago
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Real loumanders know the best part about loumand is when they break up. Love loumand down but the break up is always coming. Loumand is I think for those who love breakup tension romance, who feel happily ever afters are just not their taste.
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saltcxrcle · 3 months ago
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girls i've never tried ── . ✶ jo harvelle
summary: the two of you were just best friends, right? but then why did jo want to kiss you every time she saw you?
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pairings: bi! jo harvelle x bi! reader, jo harvelle x fem!reader, mentioned prev dean x reader, slight implied deanjoノ wc: 4.4k warnings: 18+ MINORS DNI, no use of 'y/n', best friends to lovers, jealousy, making out, smut, lots of praise, oral (both receiving), fingering, slightly dom!reader and sub!jo, pet names (baby, honey, pretty girl, good girl, baby girl)<- mostly used by reader, title is a lyric from naked in manhattan by chappell roan which the fic is loosely based on, kinda edited; all mistakes my own a/n: its a crime that there isn't more gay fics for jo so here i am doing my due diligence and providing you guys some jo smut for all of my bi girlies (gn) and lesbians that love jo lol also idk how not yap in my fics lmao but enjoy! jo harvelle masterlist
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JO WANTED TO KNOW WHAT IT WAS LIKE BEING WITH A GIRL. 
More specifically, she wanted to know what it would be like to be with her best friend, you. It was a thought that always crossed her mind, even when she was younger, and the two of you were messing around in her room, giggling at something you guys were reading in a magazine. 
You were her best friend ever since her father died, and your parents had shown up at the Roadhouse to offer their condolences to Ellen when they heard the news. You were a bit older than her but shot her a kind smile that made her stomach flip when you told her that you liked her Sleeping Beauty shirt. 
You practically grew up with Jo and Ellen, and your parents would leave you with her as they went on hunts, so the two of you stuck by each other like glue. Ellen called the pair of you “two peas in a pod.” 
Jo loved how quick-witted you were and how willing you were to teach her about hunting (even if her mom hated that your parents started taking you on hunts when you were just sixteen). But she saw less of you as you went on hunts with your parents before you started to go on your hunts after they had retired. 
You would stop by the Roadhouse occasionally when you could or when you were passing by, never failing to fill Jo in on the hunts you went on or which monsters you had killed in the time that you hadn’t seen her or Ellen. 
She remembers the time right before you stopped coming by as often, telling her how you lost your virginity to this guy named Dean, who had these bright green eyes and plush lips that felt so soft against yours. You mentioned that he was another hunter, and Jo had to bury the little green monster that she felt clawing at her chest as you detailed the experience. 
Jo didn’t know why she was jealous that guy got to be your first, but she chalked it up to not having been able to lose her virginity yet since everyone else around her was, including her best friend. 
But her jealousy almost always took center stage when you came around the Roadhouse and slept over, telling her about the men and women that you would hook up with on the road. Jo would have a fake smile plastered on her face because, apparently, she was a masochist when it came to you and asked you if you had met someone while on a hunt. 
It was only when she saw you flirting with a girl at the bar when you were helping Ellen and Jo out for the night—pouring and serving drinks to the patrons in the Roadhouse. 
God, I wish I was her. Jo thought as she saw you send the girl you were flirting with a sultry smile before the realization hit her like a bolt of lighting, 
Jo knew that she liked men. She just didn’t realize that she also liked women until she saw you wrap your arm around the girl’s waist, sending Jo a wink before the two of you sauntered out of the place once it was closing time. 
Now, it had been a couple of months since she had seen you, and the Winchesters were like a tornado, storming into the Roadhouse and effectively taking you off of her mind. Jo thought she was getting somewhere with Dean even though something about him seemed familiar to her, but she ignored it as she talked to him and refilled his whiskey. 
The door opened to the Roadhouse, and Jo didn’t look up from wiping down the bar, but Dean did, a smile appearing on his face as he saw you walk through the entrance. 
“Well, I’ll be damned, Winchester, didn’t think you knew this place.” You smirked at the sight of the Winchester brothers as you walked over to the bar. 
Jo’s eyes snapped up from what she was doing, her gaze trained on you as you gave Sam a quick side hug as a greeting. 
Dean grabbed your waist and tucked you into his side.  “It’s a small world for us hunters isn’t it?.” Dean joked as he squeezed your arm. “The only reason we come back is because the service is great here.” Dean winked at Jo. 
Jo’s eyes were lasered in on Dean’s arm around you. The familiarity of the gesture wasn’t lost on her. 
You chuckled at Dean’s words.“ You aren’t wrong there Dean.” 
You turned to face your best friend. “Hi Joey!” You greeted Jo with a bright smile. 
“You know the Winchesters?” Jo asked instead of saying hi back to you. 
You nodded, noting the bluntness of her tone, but you would talk to her later. “Yep, ran into Dean a long time ago, but ran into these two on that hunt with the revenant I told you about a while back.” 
Something clicked in Jo’s brain. This was the Dean that had taken your virginity all those years ago. The same Dean she thought she was interested in. Fuck. Of course, out of all people, it had to be him. God must hate me. She thought as she swallowed hard. 
“Ah, I remember now.” She sent you a tight smile. “Did you want your usual?” 
You looked down at your watch. “Not all that into day drinking, I’ll take a root beer though.” 
Jo nodded and went to the mini fridge below the bar to grab the root beer that you only drank when you weren’t feeling up to alcohol. She ignored the rush of relief that went through her when you finally pulled away from Dean’s side as you sat on the barstool in between Sam and Dean. Jo also ignored how her heart rate picked up when your fingers brushed against hers as she handed you your drink. 
The four of you fell into a conversation, but Jo barely participated. Witnessing the rapport between you and the Winchesters made her skin crawl as comfortable exchanges of touches between you and Dean made her burn with jealousy. Jealous of who? Jo could barely tell anymore. 
Sam noticed how quiet Jo was and how she was staring intently at you and Dean. He didn’t know what her problem was today. Still, regardless of her sudden silence, he tried to involve her in the conversation as best he could. Still, she gave short answers, which made you raise an eyebrow at her. 
But before you could question her attitude, customers started to file in, and the evening rush began for the Roadhouse. You decided to help out, hopping behind the bar and making drinks for the boys and other patrons. You had tried to talk to Jo in between serving and making drinks, but she managed to avoid you by going around, taking orders, and going to the kitchen. 
You huffed but let it go, figuring that something else earlier in the day had set her off. Sam and Dean left right before closing, promising you that they would text you if they needed help on their next hunt. Soon after they left, you made the last call before the Roadhouse closed. 
Once everything was cleaned up, Jo was nowhere to be seen, and you sighed. That girl was moody, and you were going to find out why. 
You quickly made your way to Jo’s room and found her sitting at her vanity, already dressed for bed and beginning to pull her hair up. 
“So, are you going to tell me what crawled up your ass and died?” You asked Jo as you leaned against her door frame. 
You heard her scoff. “It’s nothing.” 
“It doesn’t sound like “nothing”.” You kicked off of her door frame, toeing your boots off before walking further into her room and sitting on her bed. “Come on Jo, talk to me! You barely spoke to me today.” 
Jo said your name tiredly. “It’s just been a long day.” 
“Then it’s the perfect time to talk about it.” 
“I’d rather not right now.” Jo’s words came out clipped as she stood up from her vanity, aiming to go to the other side of her room to pull out socks from her dresser. 
But before she could, you grabbed her wrist, stopping her in her tracks. You stood up from the bed and tried to meet her eyes. 
“Jo, please, talk to me.” You pleaded softly. You could tell something was bothering her, and you just wanted to know what it was. “Is it because I didn’t check for a while?”
She shook her head, looking away from you. Jo debated on what to tell you. “Why didn’t you tell me that Dean Winchester was the guy that took your virginity?” 
“What?” Your eyebrows furrowed. “I didn’t know you guys knew each other until today. Besides, why does that matter? That happened so long ago.” 
Jo couldn’t look at you, biting her bottom lip. She didn’t want to admit to anything she wasn’t ready to face head-on. She ripped her wrist from your grip. 
“I told you it’s nothing. Can you just leave it?” Jo went back on her path towards her dresser, but you blocked her from even taking a step. 
“No, because I’m trying to talk to my best friend but she won’t even give me the time of day right now.” 
“And that’s my problem!” Jo’s outburst shocked you, your stomach dropping to your ass. 
A tense silence settled between you and her. 
“What do you mean?” You whispered. 
Jo sighed. “You’ve always been my best friend. But seeing you with Dean today, set me off.” 
“I-i do you like Dean? Is that why you’ve been acting short with me?” You swallowed thickly. 
You’ve always liked Jo ever since you realized that you like both girls and boys but kept that hidden from her—never once getting the vibe that she swung both ways. You liked Dean, but he was like your best friend, and you both had agreed that the first time was fun, but that time would be the only time the two of you would hook up. 
“No. I don’t think I do. All I know is that I was jealous that Dean got to have you and I-” Jo shut her mouth before she admitted her feelings for you. But the damage was already done. 
“And you what?” Your heart started to pound in your chest. “You cannot leave me hanging here Jo.” 
Jo bit her bottom lip, your gaze straying to her lips before you met her brown eyes once more. 
“I wished that I could have you in the same way Dean did.” Jo’s words were quiet, but they sounded deafening to your ears. 
You couldn’t help the smile that grew on your lips. “You could, you know?” 
“What?” Jo’s head was spinning at your words but also at the sight of the sly smile on your face. Her breath hitched as you stepped closer to her, your warm hands landing on her waist. 
“I’ve liked you for a long time Jo. If you wanted to sleep with me, you could have just asked, you know?” 
Jo’s heart felt like it could escape from out of her chest cavity. “I like you too. I wasn’t sure if it was in a friendly way or not.” 
You smiled at her as you leaned closer to Jo. “Well I’m glad it isn’t. Can I kiss you pretty girl?” Your breath was fanning over her lips, rubbing your nose against her as you saw her pretty brown eyes flutter. 
“Yes.” Her voice was breathy and filled with want. 
You wasted no time pressing your lips against Jo’s. Her lips were so soft and pliant as they moved against yours. You couldn’t help but push your lips against hers harder, pouring all of the years of secret yearning into it. 
Jo moaned against your lips, wrapping her arms around your neck as you pushed her backward until her knees hit the edge of her bed. Jo fell backward, breaking the kiss the two of you were sharing. She shuddered at the sight of your dark eyes, filled with desire, as you drank in the sight of her slightly swollen lips. 
Jo was dressed in some pajama shorts with a tight, long-sleeve shirt, and you could tell that she wasn’t wearing a bra, her nipples showing through the thin fabric. You internally groaned at the sight, but you crawled on top of the bed, making her crawl up it until her head hit her pillows. 
You hovered over her, cupping Jo’s face with one of your hands as you took in how the warm lighting from her lamp highlighted her features. “You’re so pretty.” You breathed out. 
Jo blushed at your praise, making you grin at the sight of her reddening cheeks. You leaned down and kissed her again—wanting to feel her soft lips against yours once more. Her kisses were addictive, and you were so sure that the taste of her would have you hooked on her indefinitely. 
You took the lead, swiping your tongue at the seam of Jo’s lips and groaning softly when you felt her tongue shyly dance with yours. Shit, she was so sweet, and you were going to have fun with her. 
Your free hand started to roam, cupping her breast through her shirt, squeezing it slightly. She let out the cutest squeak against your mouth, making you chuckle. 
“Is this okay?” You asked when you pulled away from her now swollen lips. 
“Yeah.” Jo answered with a small pant to her words. 
You ducked your head down, planting small kisses on her jaw before trailing down and nipping at the soft skin of her neck. Jo’s hands grabbed your biceps, squeezing as she let out the softest moan like she was afraid to be loud. The sound sent a wave of arousal through you and made you nip harder at her neck. 
“Don’t be afraid to be loud. Wanna hear you, honey.” You murmured into her skin, and you made your way to her collarbone, moving your hand from her breast and pulling the collar of her already low-cut shirt to suck at her chest. 
Jo continued to let out breathy moans, but they were louder this time around, and it was like music to your ears. The hand that was on her cheek moved to play with the hem of her shorts, but she grabbed your wrist. 
You looked at Jo, pulling away from her chest to look at her, her eyes wide and filled with nerves. 
“I-I’ve never been with a girl before.” 
Something inside of you purred at her words. This was a little archaic, but you were glad that you were going to be the first girl that she’d have sex with. 
“S’fine. Just relax, I’ll take care of you pretty girl.” You promised. 
Jo swallowed thickly before nodding. You kissed her softly, your hands tugging at the hem of her shirt. She got the memo and raised her arms up as you took off her shirt, exposing her bare chest to you. 
She resisted the urge to hide from your reverent stare. “God, you’re gorgeous Jo. So, so pretty.” You couldn’t help but praise her—pressing soft kisses down her chest and stomach before your lips hit the hem of her shorts. 
“Can I take these off?” Your fingers were hooked on the waistband of her shorts. 
She nodded again. But you shook your head. 
“I need words baby.” 
“Yes, you can take them off.” Jo’s words were rushed, clearly eager—any previous shyness dissipated as arousal flooded her veins. 
“Good girl.” You said before pulling her shorts, along with her underwear, down her legs, exposing her cunt to the cool air of the room. 
“Fuck.” You cursed at the sight of Jo’s bare center. There was a small patch of dark blonde hair at her pubic bone, and it was the most amazing sight you’ve ever seen. 
You settled between her open legs, your gaze on Jo’s cunt. Jo saw the hunger in your eyes, and she felt like you could devour her whole. She shivered in anticipation as your hands gripped her thighs. 
“Always knew you were going to have a pretty pussy. Bet it looks as good as it tastes.” You pressed teasing kisses to Jo’s inner thighs. She almost squirmed at the feeling—her hands grabbing at her sheets, wanting to feel your mouth on her. 
You leaned in closer to her pussy—it was practically glistening in the low light as you blew cool air on it, making Jo’s cunt clench around nothing. You laughed lightly at the small squeak that Jo made. Her hips canted forward—Jo wanted, no, needed to feel your mouth devouring her. 
“Did you need something baby?” You looked up from her wet slit to meet the pleading brown gaze of Jo. God, you hadn’t done anything, and she already looked fucked out. 
Jo whined. “Please.” She whispered. 
“Please what?” You knew you were being a bit mean, teasing her like this but it was too hard not to. “I need to hear you say it baby.” 
“Please put your mouth on me.” 
You grinned against her inner thigh, planting another kiss there. “My mouth is on you baby. You gotta be more specific.” 
Jo almost growled in frustration, her hand moving from the bed to grab the back of your head and shove you closer to her leaking cunt. “Need your mouth on my pussy.” 
“Wasn’t that easy?” You said before licking a wide strip from her slit to her clit. 
Jo let out a pleasured sigh from the feeling of your tongue finally on her aching cunt. You softly licked at her, swirling your tongue around her sensitive clit before wrapping your lips around it, suckling at the bundle of nerves softly. 
Moans left her pretty mouth, her noises spurring you on to continue your mission to get her to come around your mouth. You ate her out messily, uncaring of her slick getting all over your chin and mouth. She tasted so good. A mix of tang and musk flooded your senses as you licked at her slit, your nose buried in the soft hair at the top of her mound. 
Your dominant hand left her thigh as you pulled away from her. A little whine left her mouth in the midst of her moans. Your hand made its way to run through her wet fold, slicking up your fingers. 
“That feels good honey?” You nipped at her thigh, rubbing at her clit with your slicked-covered fingertips.  
“Uh huh.” Jo nodded furiously, her hair mussing up from the action. 
You slapped at her clit lightly, making her hip twitch at the sensation. “Words.” You reminded Jo before prodding at her entrance with your middle finger. 
“Yes! Feels so good, please.” Jo didn’t know what she was pleading for. All she knew was that she wanted to come. 
You didn’t respond, letting your finger slip into her warm pussy and feeling her gummy walls contract around it. Your mouth sealed around her clit again as your finger slowly moved in her. It didn’t take long for Jo’s moans to fill the room again. You could feel your underwear sticking to your absolutely drenched cunt, but you kept your focus on Jo, wanting to wring any and all bit of pleasure out of her. 
Your middle finger was soon joined by your ring finger. “S’tight baby. Can barely move my fingers with how hard you’re clenching around them.” 
Your words filled Jo’s lower belly with heat as her hips moved in tandem with your fingers, meeting your slow thrusts. 
Jo could feel the familiar burn building through her body when she thought of this very moment with her own fingers buried in her pussy alone in her room. 
“You’re close aren’t you? Can feel you clench around my fingers, you gonna come for me?” Your fingers found the spongy spot that she could never find herself and made a come hither motion, brushing against the spot each time your fingers moved in and out of her. 
Jo’s moans became higher and more frequent, and she was so close to cumming. But she was still missing something, and you could tell. You sealed your lips against her swollen clit and sucked hard. Jo let out a moan that almost sounded like a wail as she clenched around your fingers, gushing all over them and your face as heat filled her body and stars danced behind her eyes. 
You worked her through her orgasm, removing your fingers when her walls stopped clenching around them, and your tongue gently moved through her sensitive folds. You pressed one last kiss to her clit before trailing your lips up her soft skin, hovering over her and petting at her hair. 
“There she is.” You said before dipping down and kissing her tenderly. Jo thought it would be weird to taste herself on her lips, but if anything, it spurred her on. She pressed her lips hard against yours as her hands pawed at your shirt, wanting it off. You laughed at her eagerness and broke the kiss to help her take it off. 
Soon enough, you found yourself naked and in Jo’s position—on your back as she was hovering over you and squeezing at your breasts as she kissed you. You moaned in her mouth as she pinched at your nipples before she tore her mouth away from you and moved down your neck and chest. 
Jo made her way down your body, the lust-fueled confidence slowly ebbing away when she was in between your legs and staring at your bare center. There was a hunger in her brown gaze, but it was overshadowed by nerves and hesitancy. 
“Hey.” You called at her softly, sitting up and cupping her face. “Do whatever feels right.” 
“But what if-” 
“You’ll do fine, baby.” You cut her off. “I’ll guide you if you need it okay?” Your thumb swiped at her cheek before kissing her softly as reassurance. 
Jo melted into the kiss before you broke it. You sent her a tender smile before laying back and moving your hands to her hair, pushing the blonde strands out of her face. 
Jo took a deep breath before settling in between your legs. She decided to mirror what you did to her, pressing kisses to your inner thighs before reaching your clit and kissing it. A quiet moan left your lips, spurring Jo on. 
She pressed a more demanding kiss to your clit before her tongue darted out and licked at it. Another moan left your lips, and Jo decided to go for it, using her tongue to swipe through your slit and taste you fully. 
“Ah, doing so well Jo.” You praised as she sucked at your clit, her doe-like eyes looking up at you sent another bolt of pleasure straight to your pussy. 
You could tell that she was inexperienced with her tongue, but she made up for it in eagerness. Your hands were wound in her hair, nails scratching at her scalp—making her moan against your cunt. The vibrations felt delicious against your cunt, and you couldn’t help but grind against her face. 
“Jo baby, use your fingers like I did.” You ordered breathlessly. 
Jo complied, bringing her slender fingers to your spit–slicked entrance and slipped one of them in. 
“Another one baby, please.” You were wet enough that you didn’t need to be prepped. Jo slipped another one in you, and you sighed at the feeling of being filled by her fingers. 
“Okay, use your pretty mouth on my clit and move your fingers like this,” You directed Jo, simulating the motion you did for her. 
Jo nodded and started to put your instructions to use. She sucked and licked at your swollen clit and moved her fingers inside of you. You were letting out moans and whines, praises spilling from your lips. 
Jo keened at the praise, doubling down on your pussy. Her ministrations were enthusiastic, a little uncoordinated, but it was still bringing you closer to the edge. You would let Jo practice on you whenever she wanted. 
“Fuck, baby, you’re gonna make me come.” 
Jo really wanted to make you feel good as you made her feel. She shook her head, moving her fingers faster, brushing against your g-spot. 
“Shit! Doing so well f’me baby girl, keep going. So so close.” You moaned out, pushing her face further into your cunt. Jo kept at her pace, feeling your walls clenching and twitching around her fingers. 
“Fuck, fuck, fuck!” You came hard around Jo’s fingers and mouth. Jo continued at her pace, working you through your orgasm, and you had to push Jo away from you as she continued to move her fingers inside of you and licking at your pussy, bordering overstimulation. 
“Come here.” You beckoned, sitting up and meeting Jo in the middle, pulling her into a filthy kiss. 
“Did so well baby girl, haven’t come that hard in a while.” You praised her as you pulled away and caressed her sides. 
Jo flushed at your praise and smiled at you. She kissed you again before worry flared up inside of her. 
“This isn’t a one time thing for you is it?” Jo asked as she broke the kiss. 
You pulled her down to lay beside you. You were facing her, your hand resting on the side of her neck. “No it’s not.” You reassured her. “M’not letting you go now that I have you. Is it for you?” 
Jo breathed out a sigh of relief before shaking her head. “No, never was.” 
You sent her a dazzling smile, making her heart almost skip a beat. Jo couldn’t help but smile back at you before you kissed her, but the two of you were still smiling so wide that it could barely qualify as a kiss. 
The two of you never wanted to leave the blissful bubble of her room. The rest of the night was filled with soft caresses and quiet conversation about your hunts—a warmth settled in both yours and Jo’s chest. Everything felt right. and Jo couldn’t help but think she wanted to stay like this with you forever. Little did she know you were thinking the exact same thing. 
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dizzybizz · 10 months ago
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some doodles
#i meant to put the balor one in the previous post but i forgor 😭its in a diff file from the sketch dump i was coloring in so it just didnt#exist in my mind at all. i felt like smth was missing as i was posting it but i couldnt place what hlep#adeline and eiland have been driving me insane lately. expect more of them. probably.#dont minf the last two guys. some concepts for future farms 😋 (pls mind them im crazy abt all my farmers even if they technically dont -#exist yet. pls ask abt them or smth pls im nroaml i can be nroma l i prommy)#fields of mistria#fom balor#sona#im gonna start tagging that i think.#fom eiland#fom adeline#fom elsie#fom farmer#my art#guys can i just say that im so happy that balor is silver n not gold cus otherwise i would have to confront a part of me im not proud of#we shouldnt talk abt it but like yeah jjust know i like his silver and his whole deal#have such a softspot n bias for characters who dont settle anywhere. who never lay down their roots or whatever. who keep their past secret#like oughh hes hitting so many marks#i like hawthorne a lot. hes more developed in my head. and also i like his dead look and hair bows. i have so many ideas abt him man it hur#i promised myself i wouldnt make a new save file til i reached y2 w rory but apperantly errols bday is cursed bc the game has frozen twice#sorry if you read all of these tags. go to my askbox w fom stuff or smth. ask abt my farmers plsplspls pl s jk haha unless. maybe even#gimme drawing reqs for fom in general. ok tyvm ly sorry for yapping. its what i do best
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moeblob · 1 year ago
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Look, I rewatched all of Bravern to try and make more sense of it now that I know plot twists and stuff and honestly how does Lewis never ask anything about the cockpit that he was in for four seconds. I think he should mention it. I think he's allowed to talk about it.
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ashipikaur · 6 months ago
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NATSUGUMMY SAIKYOUUUUUUUU
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wildstar25 · 3 months ago
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MiqoMarch Day 14 - Favourite Zone
Marsh Lignaka, Miyakabek'zoma, Kozama'uka
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devine-fem · 1 year ago
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I don’t go here but I’m sorry. The way that fandom treats Timber does not sit right with me.
Unlike things like Jayjon, Timber was made with good intentions and slowly eased you into the idea of Tim being queer. Then how it was dealt afterwards was not all that bad, it was very much a comic book romance and appeared in some of Tim’s comics outside of things like pride specials, and it appeared as a casual thing, like yes, Tim was dating a guy at the time and they didn’t make a big deal about it.
Also, there’s plenty of straight romances of two characters that get put together, go through the motions together, it’s very much a new thing for them and does kind of feel unnatural because these characters haven’t shown much interest to each other before but that’s kind of just how comic romances are sometimes, we only care now because it’s gay and now vulnerable to a lot of scrutiny.
I can’t deny that Tim Drake needs something healthy like a Bernard right now. I’m glad they went through with this type of romance for him lowkey. He needs someone he knows he can go home to.
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sieglinde-freud · 6 months ago
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let it be known that i love prince inigo with my whole soul. however sometimes it is SO much fun to think about owain and his two most loyal-est knights you ever seen: worst guy in the world #1 and worst guy in the world #2. i love retainer inigo and severa so much. retainers who bully you and make fun of you and trash on you but they’d leave behind everyone and everything they ever knew to follow you and protect you in a whole new universe. they love you so much that they’d swear allegiance to total strangers but that loyalty pales in comparison to what they’d do for you. and they were all lovers!!!!!!!
#ann plays awakening#awakening trio#sometimes i forget owain is literal royalty and like#in the bad timeline hes probably like. the second most important person there?? unless luci has a sibling#obviously she’d need her own retainers but unfortunately i am thimking awakening trio thoughts. i miss. i love them in any form#that they are handed to me#i love them as best friends. as forced circumstance allies to family. as lovers.#i know i said lovers in this post but im not sure they’d ever label it as that#to me its very much ‘its not exactly romantic but its too intense to be platonic’#what i am getting at is queer platonic awakening trio btw. in case that wasnt obvious#like no matter who they are or where they go they are eachothers people dude. like literally do not separate#anyways im gonna be thinking long and hard about who should be everyones parents in this timeline#i have what i call my ‘main’ pairings and thats what i use for most of my headcanons (ex prince inigo)#but i’d like a completely separate one for owain retainer trio#i think im pretty set on fred!severa#i couuuldddd pick fred!inigo which i do think is SUPER compelling as well but something about freddy!severa… also shes so cute as a brunette#like sorry… shes just so beautiful#ive been having a lot of thoughts aboht tharj!inigo and i need to figure out if thats current bias talking or if im cooking with that one#i got no idea who owain’s second parent should be. robin maybe? idk#i mean his second parent isnt quite as impactful in regards to trio dynamics in this case just because he’s always the prince but. idk#i really like the idea of half plegian owain but i ALWAYS run half plegian owain cuz im always pairing lissa with robin or henry so its like#this isnt new 😭😭😭 but god. PLEGIAN OWAIN!!!!!!!!!!!!!!#hm. though. hear me out. manakete owain???????????????? ehhh????#sorry. idk. i love how changing the parents of the second gen can change their characterization. its like my favorite thing ever#i think its why im so attached to all of them. theres always new things to explore with them!!! its so much fun!!!!!!#graaarfggjjjhhhhhhn!!!!
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just-null · 5 months ago
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I have never seen or read Demon slayer (and tbh I don't really plan to). And I've also never even heard of the clones up until your blog, so my only knowledge and understanding of them is almost solely formed on your interpretation. You made me want these guys in ways that are concerning feminism. I can't even think about picking up the manga because if the canon is somehow different by your interpretation I fear I would feel as if the canon ones were ooc. Like, no, Null never said they would do that🤨 does this guy Koyoharu even know what she's talking about??🤨🤨
Your cult leader loves background characters and tries give them as much love as the popular ones!!
bUT I TAKE A CHARACTER AND TRY PUSHING THEIR WORST QUALITIES ACCORDING TO MY DELUSIONS, SO THEY COULD BE JUST A LITTLE NICER OR WORSE.
sighs.. but tysm.. I try my best to make them in character as possible even if some qualities might irk you, but isn't that what makes them even more loveable? I hope I can bend the perception of more characters in due time.
Even if you did watch/read demon slayer, you wouldn't see these jerks until season thREE and EVEN THEN. SLAMS HEAD AGAINST THE WALL. WITH SO LITTLE SCREEN TIME. That's also probably why you haven't seen them around. they don't have much content or focus on their backstory, so the Fandom didn't get as attached. and I make it up with the scraps given.
holds your hands. I do recommend at least watching the scenes with the clones in the anime. their VAs did such a good job, I love both sub and dub. Sekido's grunts, Karaku's laughs, Urogi's laughs (and screeches), And Aizetsu's WAVERY VOICE all echo in my head constantly. I miss them.
[!!DEMON SLAYER AMOUNT OF BLOOD!!]
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Y'know, it's unfortunate more people don't compare Louis and Violet in good faith.
Like, when I do see people compare them, it's usually through the lens of one is good, and the other bad. One is more canon than the other, and here's why. One is objectively better for Clementine, and the other is less impactful, worse written, didn't have chemistry with her, insert several insults here, etc.
I don't think it's inherently bad to express why you might not like one of them, or why you prefer one over the other. That's fine, that's a matter of opinion. It only gets to me when it becomes hostile, or passive aggressive... but even then, I've learned to just roll my eyes and move on. Some people make it very clear that they're not worth having a discussion with.
However, I wish I could read more nuanced comparisons of the two that didn't default to the "and that's why this one is better." At least some are kind enough to tack on a "for my Clementine" at the end.
You know how it goes: Louis is cute and he makes Clementine laugh, whereas Violet's boring, her love is shallow, she's still not over Minerva and she's using Clementine as a rebound. Violentine's a bad ship because Violet's actually a traitor, and they're practically the same person and that's bad.
Violet's loyal and reliable, whereas Louis is annoying, he never takes anything serious, he's a traitor for his vote, and he's nothing but a distraction. Clouis is a bad ship because how could any Clementine possibly like him after he voted her and AJ out? That's bad!
That's always the conclusion, right? One good, one bad.
This is incredibly limiting and it drives me nuts.
They're foils. They contrast one another, highlight each other's strengths and flaws, in such an interesting way that it makes Clementine's choice between them all the more meaningful.
One is not good and the other bad, they're different, and I think that's worth exploring.
Let's start with a common argument: Violet is the more impactful option due to her connection to Minerva.
Now, to be fair, I can understand why someone on Team Violet would believe this. Yes, it's true that the confrontation with Minerva is more impactful for a violentine shipper who has more investment in Violet as a character. Louis doesn't have as strong of a connection to her.
However, what they're failing to recognize is that Minerva isn't the only ghost to haunt this narrative. Violet may have Minerva, yes, but Louis has Marlon... and that doesn't just go away once Marlon's dead.
Violet's route has Minerva as her ex-girlfriend, and her bond with Tenn that all comes to a head on the bridge. Louis' route has Marlon's death and how that specifically impacts his relationship with AJ and Clementine, and the slow burn of forgiveness on all sides.
Marlon and Minerva are also reflective of Clementine's worst outcomes.
Clementine and Marlon were tied together through Brody's blood splattered on their hands and faces. They both killed a part of Brody, but only one of them lies about who killed her first.
After Marlon dies, Clementine gradually replaces him throughout the game; Rosie is her dog now, she uses his bow [which Louis gave her], she becomes the leader. Clementine gets them to fight back, and when three of her people are captured, she doesn't cut her losses. She does what Marlon couldn't; "we're getting them back."
When she chooses Louis, he does for her what he never did for Marlon: he steps up.
Clementine proves she won't become Marlon just as she proves she won't become Minerva.
After getting James to agree to help them, Clementine and AJ talk about what to do if she ever gets bit. AJ says he'd want her to bite him, too. He repeats this sentiment after she's actually bitten, telling her he wants to stay and they could turn together, peacefully.
When Minerva confronts them on the bridge, she's dying... and she wants Tenn to die with her. She doesn't care who she has to kill in the process. She's more monster than human at this point, and most times, she succeeds.
They're both bitten. Clementine could've become a monster like Minerva in the end. She could've killed AJ, and they could've become walkers together. But she didn't. Minerva wanted Tenn to die for her, and Clementine wanted AJ to live for her.
Also, I should mention she has Minerva's axe. She carries the key weapons associated with Marlon and Minerva throughout different points in the game, further solidifying these connections. She uses Marlon's bow to save her friends, and she uses Minerva's axe to save AJ, who in turn uses it to save her.
What's also so interesting about this is how Marlon's alive in episode one, and Minerva is thought to be dead. Louis has his best friend, and Violet's lost hers. But, at the end of the episode, Marlon's dead and Minerva's revealed to be alive.
Marlon becomes the ghost, and Minerva becomes the monster. Clementine becomes to Louis and Violet what Marlon and Minerva never could... how does that not drive anyone else insane?
So, no. One is not objectively better, or more impactful, because of a connection to Marlon or Minerva. They're different. It just depends on which storyline you personally find more compelling.
Actually, let's talk about that a little more.
In my opinion, the most intriguing point of comparison between Louis and Violet stems from their perceptions of survival, and how that impacts Clementine.
An argument I see made against violentine is that Violet's boring because she and Clementine are too similar. This usually comes from clouis shippers who prefer the "opposites attract" dynamic Clementine and Louis have.
On the flip side, there's the counter argument that Louis is reckless, that he doesn't take survival as seriously as he should and Clementine wouldn't want him because of that.
These are interesting to me because I get where they're coming from... but they ultimately miss the point.
The other day, I replayed TFS. Except this time, I did something a little bit differently. I played my usual clouis route, but then I had the violentine route pulled up on my laptop so that I could watch these scenes, comparing them side by side… and something occurred to me. 
Louis is about challenging Clementine's perception of survival, and Violet is about validating it.
Louis challenges Clementine from the very moment we meet him—he’s playing music. His initial philosophy on survival butts heads with Clementine’s. The fact that hunting with him and Aasim challenges your perception of “your choices have consequences.” These games have conditioned the player to think along the lines of, “Yeah, Louis is more fun… but if I don’t hunt with Aasim, we won’t have any food.”
Except that’s just it. I hate to say it, Aasim, but in the grand scheme of things… hunting with you doesn’t matter. It's actually less rewarding. You know why? Because in the next section, we get food from the train station. It would’ve been more beneficial to spend time with Louis over hunting, hence how he challenges you.  
This then primes you for the choice between choosing to follow Louis or follow Violet. I know people complain about how this is presented with Violet doing something productive [checking the walls] and Louis playing piano… but that’s the point. If you’re going through with Louis’ full route, you need to meet him at his level, and in turn, he will meet you at yours. You need to accept the challenge, the idea that Clementine isn’t entirely right about the way she’s gone about survival.
Oh, and do I even need to mention the vote? The debate over Louis’ vote is exhausting. Often times, people tell on themselves in how they talk about it. It’s not actually about the fact that he voted against them. If it was, these people would have a bigger bone with pick with Mitch, Willy, Ruby, and Omar… and yet Louis is the one who takes all the blame as if he’s the only one personally kicking them out. 
Louis is reacting to the death of his best friend, and the complicated feelings that come with it being caused by AJ. He wants accountability, even if he knows something's wrong. You can either agree with him that it was murder, and set AJ on the path of atonement… or, you can double down and tell him to fuck off, AJ was justified. 
But here’s the thing… the vote adds to the appeal of Louis’ route. To someone who hates him, or at the very least is critical of his vote, that sounds mad or delusional.
Except it’s really not.
Ever heard of a thing called tension? Because there’s a lot of it in ep2 between clouis + AJ and it’s fantastic.
Yes, Louis voting them out is problematic because we need a problem to solve. We need something to feed the tension between him and Clementine. He stepped in front of a gun held by his best friend in order to protect her, forever changing their relationship… only for that to seemingly be taken away from us the moment AJ shoots Marlon. 
Yes, Louis’ route is about being challenged, but it’s also about challenging him. That he’s able to forgive them, that he’s able to question his own survival philosophy and understand theirs, that he’s able to apologize and actually change for the better… that right there is what makes clouis so damn good. 
He becomes hardened whereas Clementine softens. By the end of the game, they’re on a similar level now without neglecting their differences, and they can move forward together. 
That’s what makes Louis’ route appealing… and it’s also what makes it unappealing to people who prefer Violet. 
By contrast, Violet’s already on Clementine’s level when it comes to this perception of survival. She validates that Clementine’s on the right path.
They have other similarities in the way that they’re both female, queer, they both have a kid they look after, they’re not always great with other people, etc. 
People who prefer Louis might consider this boring, but I think to Team Violet, it’s comforting. It’s comforting to have a partner who takes this as seriously as you do, who wants to get shit done. They’re playing Clementine with a similar attitude, and don’t believe it needs to be challenged. It’s comforting to feel validated on something you already firmly believe in. 
We also see this if we compare the hunting and fishing scenes. You have to make an effort to choose Louis by choosing to neglect hunting, but the game makes you fish with Violet no matter what.
Violet’s prioritizing fishing because they need food. That’s what they’ve set out to do, so let’s do it. The game is letting you know that’s the case, and if you value that, continue pursuing her. 
While fishing, they discuss why things are weird with her and Brody. Violet doesn’t take well to Clementine’s blunt, “Because you make it weird. Brody tries and you just make fun of her."
That’s understandable because I think she already kind of knows why and is looking to have her feelings validated. She prefers it when Clementine suggests that it’s because Brody never said sorry for what happened to the twins. 
There’s also comfort and validation in the way Violet sides with Clementine and AJ after Marlon’s death. She votes for them to stay, vocalizing how much she disapproves of the results. There’s this feeling that I recognize from a lot of the sapphic romance I read; “it’s you and me against the world, I’ll always have your back, even if you’re in the wrong, I’ll fight for you.”
In our case, it’s violentine + AJ against the rest of Ericson, save Tenn and Aasim. Violet validates that AJ was justified because Marlon was a liar and murderer, claiming that AJ and Clementine did nothing wrong. Violet fights to keep them. 
The tension between violentine in ep2 is different because instead of one pushing the other away, they’re being forced apart by the vote and there’s nothing they can do about it. That tension is somewhat released when Clementine comes back and they’re reunited, working out a plan to best defend the school. 
It’s also why Violet’s presented as doing something productive when you follow her instead of Louis, and why she asks if you want to hang out after checking the defenses. 
All that being said, allow me to reiterate that one is not good and the other bad, they're different. These concepts of challenge and change/validation and comfort exist on a neutral road as diverging paths. It’s up to the player to pick what path they prefer, but that doesn’t mean the other path isn’t worth acknowledging or analyzing. 
I should also mention that they’re not exclusive; there is overlap with validation being present in Louis’ route and challenges in Violet’s. They’re just more present in episodes 3 and 4 after we’ve made our decision. 
There are several more examples of how this all fits together, buuuuut–
Ya’ll wanna compare some allegories?
Those familiar with my content might already know where I’m going with this as I’ve made a post about Louis and the piano in the past. 
You see, I believe that there are allegories for Louis and Violet’s hearts present in their routes: Louis’ piano, and Violet’s pin. 
I already have a thorough, in-depth analysis of Louis and the piano that you can read, so all I’ll say about it is that on the night of the raid, he asked Clementine to carve a piece of herself into his heart so that no matter what, their initials will be immortalized together in its wood…
And that makes me fucking feral. 
But I'm also so normal about it.
As for Violet, her heart is the star gazing pin she gives to Clementine. She gives it to her so she’ll always remember that night… but she doesn’t give it to her until after Clementine’s saved her, and that fascinates me in the context of it being allegory. 
Louis asks Clementine to carve herself into his heart right before the raid, cementing that from that moment on, he is utterly devoted to her. I believe this is part of the reason why Louis is still happy to see her if he’s the one who’s captured. Yes, yes, he’s also incredibly traumatized from having his tongue cut out and he’d be happy to see anyone, yada yada… but listen, if you romance Louis and he’s captured, his heart remains with her—that piano with their intitals is on full display. When he sees her, he’s still so devoted to her that he refuses to accept that it’s at all her fault. Even when she says it is, he shakes his head... and he so easily accepts her when they’re together in the end. From the moment Clementine puts knife to wood, he’s hers. 
Now, look… you might think I’m going somewhere not great with this but hear me out. 
I think after Clementine’s gone star gazing with her, Violet is fully ready to give her heart to her. Y’know, give her the pin. But, think about what Violet said about how people have left, but Clementine came back. Plus, with the impending raid to think about, maybe Violet should keep the pin until the right moment. 
I believe a key difference between her and Louis is that Violet needs one last thing to solidify that Clementine’s the one. 
Louis gives her his heart prior to the raid because of everything that’s already gone down between them following Marlon’s death. Violet needs to know that Clementine’s willing to fight for her the way she fought before. When Clementine saves her from the raiders, it’s solidified. Even after she sees Minerva again, it changes nothing.
It’s also worth noting that the pin is something Clementine wears. Like the piano carving, it’s a piece on display for everyone to see, to let them know whose heart Clementine has.
Violet literally handed Clementine her heart as a means of saying, “I’m yours. I’m devoted to you.” 
This is why romanced/captured Violet is devastating, and is why she behaves the way she does in the cells. She was so ready to give her heart away and then nope, sorry, Vi! You get knocked unconscious by raiders instead! 
If anything, you kind of deserve to be told to fuck off if you romanced her and then let her get captured. Just sayin’. 
Look, I have a lot of complicated feelings about the captured violentine route, mostly with Violet being as forgiving as she is after her eyes are burned—yes, yes, I know, her eyes are burned and Minerva messed with her head so of course now she’s not hostile, yada, yada. 
But I think it’s rather telling that you don’t get the pin in this route. Sure, Violet’s willing to forgive and possibly pursue this romance in the future… but she’s not ready to hand over her heart, not truly. Not after everything that’s happened. 
And if you want to get extra angsty about it, imagine that Violet made the pin right after they parted ways, but before the raiders came. Meaning that if she’s captured, it’s possibly still sitting somewhere, abandoned. 
Mmhmmm, very normal about this. I feel normal. My normalness about this continues... normally. I'm not losing my shit thinking about that. Nope. Why would I? I wouldn't! So normal.
Okay just let me talk about their reactions to Tenn's death and then I'll shut up.
This makes me want to gnaw my own foot off, I can barely handle it.
AJ shoots Tenn on the bridge because Clementine trusted him to make the hard calls. This saves Louis or Violet's life.
When Louis jumps across, he's completely silent as he watches Tenn die... and then he's pissed; "What the fuck?! How could you just shoot him like that?!"
AJ explains himself, that he did it for him, and Louis is so upset that he forces AJ to look at what he's done, to watch the walkers eat Tenn; "Tenn's dead. He's dead! Do you realize that?! Look! [...] He's... he's gone, because of you. Just fucking gone."
If Clementine says AJ saved his life, Louis says, "So what, we just cut him loose? Gun him down like he was nothing?"
If Clementine says nothing, Louis says, "Tenn was just a little boy!"
The reason Louis responds this way is because in this moment, he just relived Marlon's death all over again, but worse. So, SO much worse!
When Violet jumps across, she breaks down, begging, "Oh, my God! Oh, my God! No, no! No, no, no..." as she watches Tenn die... and then says to AJ, "No! What the fuck?! How could you do that?!"
AJ explains himself, that he did it for her, and Violet is faaaar from okay; "For me? I can't... Tenn is gone! That soft little boy who liked to draw, he's gone, because of you!"
If Clementine says AJ saved her life, Violet says, "You think that's okay?! Just gunning down one of our own?!"
And there it is.
Louis is hardened in this situation because he already went through this... Violet hasn't, not with AJ. She softened up throughout her route due to her relationships to him and Clementine... but this is the moment where she realizes that maybe AJ wasn't as justified as she believed, and this is the consequence.
This leads us to the ending where AJ asks if they're still mad about him killing Tenn, and I just... I'm biting my foot right now because the script has flipped.
Louis is forgiving and understanding. He's soft, he's sympathetic, he shakes AJ's hand to let him know that all is forgiven and they're okay; "I... AJ, I guess it's like... You saw something I didn't. About the situation, I mean. Minnie and the walkers and Tenn, it's just all this chaos in my head when I think back on it. [...] Clem says you saved my life? Well, then, that's exactly what you did. And how can I stay mad at anyone for doing that?"
Or, alternatively, "He was your friend, AJ. I know you are hurting just as much as I am."
As for Violet? She's understanding, too... but she's not quite ready to forgive yet; "The thing you said on the bridge...that he was messing up all the time. It wasn't something new, you know. Tenn got himself or other people into trouble all the time, long before you guys got here. He was always so lost. He lived in a world that just...isn't there, you know? And that's why I tried to look after him. But when I was pulling him away from the walkers, and Minnie, I could also see...he just wasn't there anymore."
"So you're mad, but sad."
"Can I be that for a while?"
And it's completely understandable that she's hurting and struggling with how she feels about AJ moving forward! She wants to be okay, she wants to forgive him, she just needs time.
Now, because I'm forever bitter, but I'm gonna mention this as well: whenever I see someone point at Violet's scene and say, "See!? This is how LOUIS should've acted in ep2!" like... they're telling on themselves again. Not just that they don't understand Louis as a character or his route, but that they don't fully grasp Violet's part in this either. Or time frames, for that matter.
Let me put it to you in simple terms... they react the same.
After Marlon and Tenn die, they're upset. They're pissed. They blame AJ and yell at him. After they've had time to process what happened [Louis after the two week time skip, Violet after time passes between the bridge and the ending] they share the same, "I'm still upset about Marlon/Tenn. Can I be that for a while and still be your friend?" sentiment.
The difference is that Louis is treated poorly for it because of the vote, and because we feel it first hand for longer... Violet got to grieve off screen and come back after she's sorted herself out.
It's a disservice to both of their characters because it's rooted in that same mentality that I criticized at the beginning: "This is why one is better than the other."
Do I need to say it again? I'm gonna say it again.
One is not good and the other bad. They're different.
There are so many fun discussions that could come from putting Louis and Violet side by side, and examining them. I haven't even covered the different ways they're introduced, or compared their ep3 dates to see what it says about them and the overall narratives! What about the cell scenes!? How they react when Dorian's about the cut off their fingers! The way they approach James upon meeting him!
That last one in particular is especially funny! They're all under stress about blending in with a herd of walkers to infiltrate a boat to save their friends, and yet Louis easily saunters up to the guy wearing walker skins with a smile, and makes him laugh by saying, "Functional and fashionable. I'll take two."
Violet approaches James like he's an injured wild animal that's going to bite her, and bless her heart, she tries with, "I, uh… hey. Hey there, James. Sorry about Willy." Then James gives her this judgmental side-eye, like buddy? She's not the weirdo here.
There is so much potential to dissect here, and I want to see people do it... but I want them to do it fairly, in good faith.
I want to get away from the idea of comparing them to "prove" which is better because there is no objective better. There isn't! That's a waste of time!
I'm so done with The Debate™; it's unhelpful, it's annoying, and it's boring as shit. I've heard it all before, and you probably have, too.
I want to put Louis and Violet under a microscope and study them with the thought process of, "one does this and the other does that... what does it mean!? what does it say about the narrative!? Oh my god, they have the same opinion on this thing, WRITE THAT DOWN!"
So yeah, that's my ramble for the night.
I'm gonna go replay TFS for further research.
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refractionrailway · 3 months ago
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on an unrelated note it's so funny to me that they keep making Heathcliff the defacto "we have an id who's in a position of leadership and we need someone to be their sidekick" sinner, guy who is so "hot dog or hamburger style boss" coded
#it's like. pequod multicrack full-stop kurokumo they when the. loyalty being an intricate part of his character and existence#txt#heathcliff lcb#limbus company#in game#to ramble for a bit bc im such a nerd ab gameplay (gee can you guess my major)#it is So funny to see among a sea of 'struggling' and 'hopeless' EGOs just.#a singular 'dominating' from FS heathcliff skill 3 rolling a casual 45#if no one got me FS heathcliff got meeee#he is honestly my favourite ID to use ignoring bias of. God damn who allowed him to do that much damage and that high rolling#when the. you're rewarded for paying attention and making good choices and punished for not#but the punishment isn't fatal as some other ids who want you to pay attention#Rcorp ishmael you'll always be famous to me lcb baby's first 3 star but Man#FS heathcliff is still decent pure win rating but evading when only s1's is soo there is No downside w/ FS hong lu bc of his melee suppor#off topic but like. I get why they didn't (it'd be broken) but i still think hong lu's no ammo skills should be slash okay like. I get why#but the animation makes you think you know and heathcliff melee support Is slash so--#but like fs heathcliff is sooo guy who just Wins#his biggest downside is in long encounters/waves but. w/ FS hong lu the empowering is so. Yes Hong Lu your skill 2 and 3 Will do a casual#300 extra damage#he's incredibly rewarding to pay attention to and i think that's awesome#adding in mirror dungeons w/ poise gifts or ones like the rusty coin its so. yeah sure every shot casual 200-1500 damage oh you know#guy who is giving me such a skewed sense of what a big number is#full-stop heathcliff you will always be famous to me#and also why is your uptie story kind of--- i am escorted out of the building#i could have thoughts ab them. anyway#infinity mirror dungeon got Hands though what do you Mean some random bloodfiend's counter staggers me. what do you Mean they have 2000 hp.#go my ego spam + heathcliff <- clown who's trying to achievement farm all at once#i Will have 15 rupture 15 charge and 15 tremor gifts when i have. a singular charge id w/ the rest being poise/bleed on my team
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reesiereads · 1 month ago
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Chronological Order: (Tbosas -> Sotr -> Original Trilogy) Publication Order: (Original Trilogy -> Tbosas -> Sotr)
I ask because I've seen a lot of people saying that reading the books for the first time in Chronological order ruins the experience. I find this interesting because I just finished reading them for the first time in Chronological order and I feel it heightened my experience.
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superbellsubways · 1 year ago
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seen a couple of these around so im joining in
I tried picking the faves I find Underrated or not talked about too much in most of the community. i love them all very much
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